East Coast Blues essentially falls into two categories: Piedmont Blues and Jump Blues and its variations. Musically, Piedmont Blues describes the shared style of musicians from Georgia, the Carolinas, and Virginia as well as others from as far afield as Florida, West Virginia, Maryland, and Delaware. It refers to a wide assortment of aesthetic values, performance techniques, and shared repertoire rooted in common geographical, historical, and sociological circumstances. The Piedmont guitar style employs a complex fingerpicking method in which a regular, alternating-thumb bass pattern supports a melody on treble strings. The guitar style is highly syncopated and connects closely with an earlier string-band tradition integrating ragtime, blues, and country dance songs. It's excellent party music with a full, rock-solid sound.
Jump Blues is an uptempo, jazz-tinged style of blues that first came to prominence in the mid to late 1940s. Usually featuring a vocalist in front of a large, horn-driven orchestra or medium sized combo with multiple horns, the style is earmarked by a driving rhythm, intensely shouted vocals, and honking tenor saxophone solos, all of those very elements a precursor to rock & roll. The lyrics are almost always celebratory in nature, full of braggadocio and swagger. With less reliance on guitar work (the instrument usually being confined to rhythm section status) than other styles, jump blues was the bridge between the older styles of blues-primarily those in a small band context-and the big band jazz sound of the 1940s. ~ Barry Lee Pearson & Cub Koda ~ All Music Guide ~ allmusic.com
