BLUES IN THE SCHOOLS

What is Blues in the Schools?


What is Blues in the Schools?


Cultural Understanding

Through the study of Blues traditions, educators can address the important issues of the color line, diversity, and multi-culturalism, using interdisciplinary studies in a way that engages students of all ages. The study of the Blues is the study of the African-American culture that produced this music and an investment in the human spirit. Just as important as understanding the evolution of the musical structure of the blues is understanding the ways blues music expressed individual emotions and the feelings of the times. Through the blues, student listeners begin to empathize with what happened in those times and to develop understanding of how to apply that awareness to their present lives.

Intellectual Advancement

Research continues to provide solid evidence that the study of music promotes intellectual development. Science has shown that studying music assists children in developing neurophysiological distinctions that aid in literacy and can translate into improved academic performance. Most important to this development is active engagement in the music and class participation, each of which are central to Blues in the Schools programs. While participating in music activities, children enhance physical, language, social-emotional, and cognitive development. And Blues in the Schools program are much larger than simple music classes. They provide opportunities for children who might otherwise not have access to engage directly with a music that is historically significant and emotionally healing.

Preservation of Blues Heritage and Expansion of Worldwide Awareness

The Blues Foundation is committed to preserving blues heritage, the biographies of the people who formed this music, and the cultural history behind their personal stories. We are mission driven to also ensure the future of this uniquely American art form by expanding awareness of the music across all lines. Taking Blues music into schools systems, via Blues in the Schools, provides a direct line to keep this great American genre both relevant and thriving.

How Blues in the Schools Fits various subjects


What is Blues in the Schools?


Because each community’s curriculum is individualized to the goals of that school district, there is no nationally directed BITS initiative for grades K-12. The Blues Foundation can help you find someone to help you get started with what is right for your local school district, your educational discipline, and your intended age group. The Blues Foundation’s Affiliated Blues societies are often at the forefront of developing and/or funding local BITS programs and many have designed curriculum units and lesson plans that are ready to be plugged into any grade or discipline. There are also educators nationwide who are committed to developing high quality BITS programs using the most current educational techniques and who have had great success with their curricula.


A variety of programs offer any of the following structures:

Assembly

A one hour school assembly

Workshop

An all day workshop that either moves from class to class or remains in the same classroom all day.

Artist in Residency

Artist in Residency programs that last from a week to a full month. These usually culminate in an evening performance or performance at a funding festival.

Where do I find the funding for these programs?


What’s my next step?


Below is an extensive list of Blues educators who might be available to assist you in developing a Blues education program.

  • Alabama Blues Project (Alabama)

    SUMMER BLUES CAMP / AFTER SCHOOL CAMP & more

    HOMEBASE: East Tuscaloosa AL

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Varied / Performance

    EMAIL: paula@alabamablues.org

    WEBSITE: alabamablues.org

  • Andra Faye (Indiana)

    BLUES MANDOLIN, guitar, bass and vocals / Workshops

    HOMEBASE: Indianapolis IN

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Varied / Performance

    EMAIL: andrafaye@gmail.com

    WEBSITE: andrafaye.com

  • Andrew D. Gordon (California)

    ADG Productions

    HOMEBASE: Los Angeles, CA

    BLUES EDUCATIONAL SUPPLIES, BOOKS, and LESSON PLANS: all instruments

    EMAIL: adgordon@earthlink.net

    WEBSITE: adgproductions.com

  • Art Tipaldi (Massachusetts)

    BLUES WORKSHOPS and TEACHER CONSULTATION

    HOMEBASE: Wilbraham MA

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Historic

    EMAIL: artzbluz@aol.com

  • Billy Branch (Illinois)

    BILLY BRANCH’S BLUES IN THE SCHOOLS PROGRAM

    HOMEBASE: Chicago IL

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Harmonica / Performance

    EMAIL: rosa@billybranch.com

    WEBSITE: billybranch.com

  • Bonnie Tallman (Pennsylvania)

    BEYOND THE MUSIC: YOU’RE THE CEO Making your music a business.

    HOMEBASE: Muncy PA

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Music Business

    EMAIL: bmtallman@aol.com

  • Clark deaconbluz White, Ph.D. (Tennessee)

    Blues Chattanooga Resource Center

    HOMEBASE: Chattanooga, TN

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Blues Educator, Performance, Harmonica, and Folklorist

    PHONE: 423 -505-1933

    EMAIL: whitece60@comcast.net

    WEBSITE: blueschattanooga.com and deaconbluz.com

  • Craig Brenner (Indiana)

    BLUES IN THE SCHOOLS

    HOMEBASE: Bloomington IN

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Piano / Performance

    EMAIL: craigbrennerboogies@gmail.com

    WEBSITE: https://www.craigbrenner.com/

  • Dan Treanor (Colorado)

    BLUES IN THE SCHOOLS EDUCATOR

    HOMEBASE: Arvada CO

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Guitar / Performance

    EMAIL: daniel2102@comcast.net

    WEBSITE: dantreanorband.com

  • Dave Fields (New York)

    BLUES IN THE SCHOOLS: The Blues Is Our American Heritage, Our National Music & Gift to the World

    HOMEBASE: New York NY

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Guitar, Piano, Rhythm Section, Song Writing, Production & Music Business

    EMAIL: dave@davefields.com

  • David Berntson (Oklahoma)

    CROSSROADS LEARNING EXPERIENCE

    HOMEBASE: Tulsa OK

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Harmonica / Performance

    EMAIL: bernesto@sbcglobal.net

    WEBSITE: crossroadslearning.org

  • David Evans, PhD (Tennessee)

    MUSICOLOGIST / LECTURER / ENTERTAINER

    HOMEBASE: Memphis TN

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Guitar / Performance

    EMAIL: dhevans@memphis.edu

    WEBSITE: thecountryblues.com

  • Debbie Bond (Alabama)

    BLUES IN THE SCHOOLS EDUCATOR

    HOMEBASE: Northport AL

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Guitar / Performance

    EMAIL: debbie@alabamablues.org

    WEBSITE: debbiebond.com

  • Doug Macleod (Tennessee)

    BLUES SONGWRITING WORKSHOPS

    HOMEBASE: Memphis, TN

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Guitar / Performance / Songwriting

    EMAIL: macdubb@me.com

    WEBSITE: doug-macleod.com

  • Downtown Charlie Brown (Illinois)

    BLUES IN THE SCHOOLS EDUCATOR

    HOMEBASE: Chicago, IL

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Piano, Guitar, and Vocals with emphasis on Chicago Blues, Delta Blues, and other forms of Classic Blues

    EMAIL: dtcb1@aol.com

    WEBSITE: downtowncharliebrown.com

  • Fernando Jones (Illinois)

    FERNANDO JONES BLUES CAMP ages 12-18

    HOMEBASE: Chicago IL

    BLUES INSTRUMENT WORKSHOP/PERFORMANCE: Varied

    EMAIL: info@blueskids.com

    WEBSITE: blueskids.com


Becoming a member of The Blues Foundation gives you an opportunity to be personally connected to a blues community where you will experience a vast amount of resources, information, news, views, insight, and activities not available anywhere else. You will be part of an organization which is special, fun, and unique.

“I am a member of The Blues Foundation because, like a drop of water, I am insignificant alone. But as part of a body of water moving in the same direction, I am part of a tidal wave that can bring down mountains – mountains of prejudice and segregated misunderstanding – mountains of people making noise instead of harmonies. It is a sound that can tell a story of poor people who don’t make it into the history books. It is a sound that can tell the truth about the human condition, good and bad, happy and sad.……I am a member of The Blues Foundation, because like a powerful rush of water, I want to move in the same direction with blues fans from all around the world. The “whoosh” of that river makes a very joyful noise. If you are not a member, wade in the water. It will cleanse your soul. You really should come in. The water is just fine.” 

Rattlebone Jones



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